Times & Tickets
Detour: Art House Society at FilmBar
Detour: Art House Society
SUN 3 NOV
Coming Soon to
FilmBar
Join us for a monthly Art House classic on the big-screen introduced by Alex Harman! Presented with support from Zia Records!
Members are entitled to:
• Discounted tickets - only $8
• Small Popcorn for $1
• $1-off Drinks (beer & wine)
(1945, Edgar G. Ulmer) “Whichever way you turn, Fate sticks out a foot to trip you.” New York to L.A. hitchhiker Tom Neal’s pickup of the aptly-named Ann Savage leads to blackmail and death. Produced by bottom-of-the-barrel studio PRC, Detour was ignored when first released and didn’t even rate a New York Times review until 1992, when Vincent Canby called it “one of the defining films of the seductive genre called Film Noir.” DCP restoration.
Restored by the Academy Film Archive and The Film Foundation, in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française, with funding from the George Lucas Family Foundation.
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Members are entitled to:
• Discounted tickets - only $8
• Small Popcorn for $1
• $1-off Drinks (beer & wine)
(1945, Edgar G. Ulmer) “Whichever way you turn, Fate sticks out a foot to trip you.” New York to L.A. hitchhiker Tom Neal’s pickup of the aptly-named Ann Savage leads to blackmail and death. Produced by bottom-of-the-barrel studio PRC, Detour was ignored when first released and didn’t even rate a New York Times review until 1992, when Vincent Canby called it “one of the defining films of the seductive genre called Film Noir.” DCP restoration.
Restored by the Academy Film Archive and The Film Foundation, in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française, with funding from the George Lucas Family Foundation.
Join us for a monthly Art House classic on the big-screen introduced by Alex Harman! Presented with support from Zia Records!
Members are entitled to:
• Discounted tickets - only $8
• Small Popcorn for $1
• $1-off Drinks (beer & wine)
(1945, Edgar G. Ulmer) “Whichever way you turn, Fate sticks out a foot to trip you.” New York to L.A. hitchhiker Tom Neal’s pickup of the aptly-named Ann Savage leads to blackmail and death. Produced by bottom-of-the-barrel studio PRC, Detour was ignored when first released and didn’t even rate a New York Times review until 1992, when Vincent Canby called it “one of the defining films of the seductive genre called Film Noir.” DCP restoration.
Restored by the Academy Film Archive and The Film Foundation, in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française, with funding from the George Lucas Family Foundation.
Members are entitled to:
• Discounted tickets - only $8
• Small Popcorn for $1
• $1-off Drinks (beer & wine)
(1945, Edgar G. Ulmer) “Whichever way you turn, Fate sticks out a foot to trip you.” New York to L.A. hitchhiker Tom Neal’s pickup of the aptly-named Ann Savage leads to blackmail and death. Produced by bottom-of-the-barrel studio PRC, Detour was ignored when first released and didn’t even rate a New York Times review until 1992, when Vincent Canby called it “one of the defining films of the seductive genre called Film Noir.” DCP restoration.
Restored by the Academy Film Archive and The Film Foundation, in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française, with funding from the George Lucas Family Foundation.
Detour: Art House Society
SUN 3 NOV
Coming Soon to
FilmBar
Join us for a monthly Art House classic on the big-screen introduced by Alex Harman! Presented with support from Zia Records!
Members are entitled to:
• Discounted tickets - only $8
• Small Popcorn for $1
• $1-off Drinks (beer & wine)
(1945, Edgar G. Ulmer) “Whichever way you turn, Fate sticks out a foot to trip you.” New York to L.A. hitchhiker Tom Neal’s pickup of the aptly-named Ann Savage leads to blackmail and death. Produced by bottom-of-the-barrel studio PRC, Detour was ignored when first released and didn’t even rate a New York Times review until 1992, when Vincent Canby called it “one of the defining films of the seductive genre called Film Noir.” DCP restoration.
Restored by the Academy Film Archive and The Film Foundation, in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, and the Cinémathèque Française, with funding from the George Lucas Family Foundation.